My Dark chamber images translate as the very essence of real time. They reawaken and restore sentimental dormant memories of doubt, despondency and abandonment, that challenge the need for explanation, allowing me to tell stories, to illustrate my past of latent potential missed or achieved. Locations long since visited from childhood, changed by nature or human interference, anticipate my return. A pinhole cameras error of imperfection in itself is fascinating, primitive and simple, a tiny hole and some negative film, a location and the passage of time, from present to future and then past, all captured as a single frame. Reality written or transcribed in a way that not only rewards the motion of life but also the stillness of death, and in doing so creates it's own impression or signature of the ever moving world and is the antithesis of the clinically defined perfection that we humans crave.
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